Showing posts with label speed in writing. Show all posts
Showing posts with label speed in writing. Show all posts

Sunday, August 30, 2020

Riptides and Tidepools

If you think about writing as a flow—a flow of words, a flow of thoughts and images, a flow of consecutive days that you can sit down and write—you begin to notice differences in the rate of flow, the speed that writing takes place on some days, the slowness on others.


There are moments when it can feel like the flow of your writing is as strong as a riptide, and you find yourself caught by the current, unable to escape, forced to go where the flow is taking you.


These riptide moments are exciting, like unexpected gifts taking you to places you might never have found if you hadn’t let yourself go with the current, let the words take you where you needed to go. 


There’s no time for gazing at the waves curling into shore or watching clouds floating overhead, no time for searching for shells on the beach or for digging sandcastles. 


There’s only the riptide current and the constant effort of trying to keep your head above water as the words rush over your head and past you, and your pen is trying to keep up with the flow, trying to catch the words and thoughts and images as they speed by.


But then there are moments when everything seems to come to a halt, when the words seem to stall and get stuck somewhere, and the flow—that current that was so full of energy and life which took you so quickly into a different world—all but stops.


What do you do then?


Those are what I like to call the tidepool moments. 


Years ago, when we spent part of our summer vacation in Maine, we rented a cabin on the rocky coastline north of Bar Harbor. 


Every morning, after the sea retreated, my wife, daughter, and I would go down to the shore and explore tidepools glistening in the morning light.


Each tidepool was filled with gifts from the sea—starfish and crabs, sea anemones, shells, sand dollars, and more.


In tidepool moments, instead of worrying about where the current is taking you, you can slow down, inspect the water, play with words as if the words themselves are gifts from the sea.


You can walk along the edge of the tidepool, watch the sunlight glistening on the surface of the pools, enjoy the tickle of icy sea water on your toes, and discover what’s been hiding beneath the surface of the sea because it’s now accessible and waiting for you.


In a tidepool moment, the flow of writing is calmer, more introspective, more self-aware, and more conscious of everything around you, unlike writing in a riptide moment, which can be frantic and filled with fear of the unknown. 


Each moment, whether a tidepool moment or a riptide moment, offers us another way of writing, of experiencing the flow of writing, of exploring the world. 


We can’t predict which kind of moment we’ll find waiting for us when we sit down at our desks each morning. 


Riptide or tidepool? 


Let’s head down to the shore to find out.


For more information on writing fast vs writing slow, visit:


https://thewritepractice.com/fast-and-slow/

https://alifeofproductivity.com/the-joys-of-writing-slow/

https://annejanzer.com/scribe-muse/

https://thejohnfox.com/2018/05/a-manifesto-for-slow-writing/

https://www.darcypattison.com/writing-life/should-you-write-fast-or-slow/




Sunday, April 22, 2012

Skimming the Surface

Sometimes I think swimming faster will help keep me afloat, but it’s just the opposite. Slowing down is what gives me a chance to swim deeper and farther.

But it’s hard to go slowly when reaching the end of a draft. That’s when my muscles are aching,I can barely lift my legs, and I try to speed up, kicking like mad for the shoreline in the hope that I’ll make it to the end before exhaustion pulls me under.

It’s a natural response to fatigue, this urge to swim faster, except swimming faster means that I’m skimming the surface, unable to see the important details beneath the surface. What I need to do is slow down, keep a steady pace, and not worry about reaching the end.

Funny how speed in competitive swimming is something that every swimmer strives for, isn’t it?

Speed in writing can offer a quick way into your story, but quickness means sacrificing depth so that by the time you reach the end, you may not fully understand how or why you’ve written the words on the page in front of you. Skimming the surface by racing toward the end leaves your reader in your wake, too, with only foam and air bubbles, not water, to swim through.

For depth in your story, you need to slow down, dive beneath the surface, swim underwater to see and understand the dynamics of what drives your character. What’s her passion? What’s compelling her to act? What’s keeping her from acting? You can’t find answers to these questions by skimming over the surface of your story.

Probing your character’s life takes slow, steady strokes. It’s the kind of long-distance swimming that requires patience and steadfastness and determination. With each kick, you move deeper inside your characters, slipping inside their skin, learning how and why they make their decisions.

Sure, it’s appropriate at times to skim the surface, to glide over certain parts of the story, such as when you’re making a transition between scenes, or when you're first getting into the water.

But, for the most part, if you notice yourself speeding up, it means you’re skimming the surface, not diving, and you’re losing the chance to discover what your story’s really about.

For more information on skimming the surface, visit: