Cause and Effect (or Choices and Consequences)

“Life is a perpetual instruction in cause and effect.” - Ralph Waldo Emerson

“You see, too often as writers, we think in sequential events, not consequential effects.”—September C. Fawkes

Over the past few months I’ve spent a few hours each night watching episodes of Grey’s Anatomy, the popular, long-running TV medical drama (with past seasons available on Netflix) about a group of young doctors in a Seattle hospital learning how to become surgeons. 

There are a lot of reasons why I’m watching the show, not the least of which is because it’s a terrific story (thanks to its creator, Shonda Rhimes), with multiple plot-lines and characters who make mistakes and learn about each other and fall in and out of love as they try to master the challenging art of medicine (and life). But the main reason I’m watching is because, from a writer’s perspective, each episode offers a chance to study the principle of cause and effect.

Cause and effect is what drives a story forward. It’s the engine of plot. And watching Grey’s Anatomy helps me better understand the way cause and effect works as the scaffolding of a story. Once you understand how cause and effect works, you can begin to see how a plot emerges out of the choices that each character makes. Each choice means a character must act in a certain way.  And each action leads to a certain consequence. And each consequence leads to another choice… and so on. Cause and effect, or choice and consequence. It’s how a story unfolds, one choice at a time.

So I’m thinking how this idea of choice and consequence might help us craft plots for our stories. Sometimes it’s helpful to ask each of our characters what he/she/they might want. But watching Grey’s Anatomy, I’m learning that the principle of choice and consequence means asking the question slightly differently as what does our character want to do? Go right or left? Straight or backward? Climb up or down? Go in the water or stay on land? Each choice has a consequence—sometimes an intentional result, sometimes unintentional.

Here’s how cause and effect (or choice and consequence) worked in an episode that I just finished watching in season 9. One of the characters, Arizona Robbins, a pediatrics surgeon, is married to another surgeon, Callie Torres, and makes a choice to sleep with another woman, a visiting facial reconstruction surgeon. Her choice to cheat on Callie leads to a series of consequences. There’s her own remorse, of course. But there’s the waterfall of events that changes their relationship going forward. There’s Callie’s anger toward Arizona, which leads to her decision to leave the marriage and move out. For a while she stays with Derek and Meredith, and ultimately she decides to kick Arizona out of the condo they’ve shared so she can have her life back.

What’s clear in this flow of events is how much Callie wants to be happy. What does she have to do to be happy? Once she makes the decision to be happy again, she figures out it’s time to leave her marriage, and to stop helping other people and to help herself instead. These are all decisions that she acts on. Will she make another decision that will bring her back to Arizona in the end? Will Arizona decide to do something to win Callie back and atone for her mistake? I don’t know. But it’s possible. The story depends on their choices, and on the consequences that result from their choices.

Of course, I could offer other examples of cause and effect. But you get the idea. Stories are based on cause and effect, choice and consequence. Whether you’re reading a novel or watching a show, you can study each character and note the different actions that he or she makes and then follow the consequences of those decisions. There will be actions and re-actions. And you’ll see, I suspect, how each character‘s decisions impacts their lives as well as the lives of whoever they come into contact with. 

Choices and decisions. Cause and effect. These are the essential ingredients for a story to capture a reader’s attention (and heart). 

For more info on cause and effect, visit:

https://www.writersdigest.com/there-are-no-rules/cause-effect-telling-story-right-order

https://www.septembercfawkes.com/2020/04/why-story-cause-and-effect-and-how-to_13.html

https://storygrid.com/cause-and-effect/

For more info on Grey’s Anatomy, check out: 

https://en.wikipedia.org/wiki/Grey's_Anatomy

https://www.imdb.com/title/tt0413573/

Gifts from the Sea

On a sweltering Sunday morning at the end of July, we drove to the beach and met friends who had planted a large, rainbow-colored umbrella near the water. After spreading our blankets out on the sand near them, we waded together into the tepid blue water of the Gulf.

The water was so warm that you couldn’t tell the difference between the temperature of your skin and the water. A few other bathers were splashing in the water, but the beach wasn’t crowded yet. By noon it would fill with thousands of bathers squeezed together, blanket touching blanket, umbrellas sprouting like colorful flowers.

We waded into the shallow surf past the sharp-edged shells and rocks to a place where the water was waist-high and we could lift our feet off the bottom and float easily on our backs as the gentle waves of the Gulf rocked us back and forth.

I watched one of our friends swim south, parallel to the shoreline, her arms flashing against the turquoise of the sea. A quarter-mile away, she made a wide turn and began to swim back toward us.

Off to our right, I noticed a middle-aged man and young woman standing on surfboards and using long-handled paddles to propel the boards toward shore. The Gulf was so calm that morning that the surface reflected the edge of each paddle as it dipped into the water sending glittering droplets in circles  around them.

And then out of the water emerged a sight that I hadn’t expected—a large gray flipper, a triangular shaped fin, followed by a sleek and shiny silver body.

A few yards away one of the other bathers shouted: “Shark!”

But it wasn’t a shark.  It was a dolphin, and it appeared to be playing with the paddle-boarders, weaving between them, crossing trails that they had left behind in the water as they paddled toward shore.

Slowly, in ever-widening circles, the dolphin came within a few feet of us, teasing the paddle-boarders in the hope, perhaps, that they’d follow in a game of tag or hide-and-seek.

Its large, sleek body gleamed in the sunlight, magical and mysterious, part of a far-away place hidden deep beneath the surface. The sight was like a gift from the sea offered to us unexpectedly on this tranquil Sunday morning.

One moment the dolphin was gliding smoothly along the surface of the water, the next, as in a dream, I blinked and it dipped under the surface and was gone.

Gifts from the sea--these kinds of magical moments--come upon us without warning and deepen our experience of life, just as they can deepen our character’s experience of life in our stories.

Do you recall the last magical moment that occurred in your life? What magical moments have you noticed in your own stories or in those stories that are your favorites?

Think about how such gifts from the sea contain the power to change your view of yourself and your understanding of life. Then spend a few minutes writing about a magical moment in your life and how it may have influenced you.

Now think of a magical moment in the life of your character—or characters—and begin writing about how that gift from the sea changed him or her.