What will you write about
in the days ahead?
The future is unknown
blank pages waiting
to be filled.
You can't know ahead of
time what words will come
or if they'll come at all.
You can't know if you'll
be able to break through
the wall of silence
or if you'll be trapped
unable to speak,
your voice not even
a whisper.
You can't know what
you don't yet know.
You only know what's
in your hand now--
the pen you're holding
the paper beneath your hand
the shadow of the pen
moving across the page.
Whatever words appear
from whatever source
they flow out of,
however they emerge,
will reveal what you
know and what
you don't know.
The future will unfurl
from the present, just
as the present unfurls
from the past.
You will only know
what you'll write about,
looking back, after
you have written.
Showing posts with label write what you know. Show all posts
Showing posts with label write what you know. Show all posts
Monday, November 18, 2019
Sunday, March 14, 2010
Heartswimming
Since finishing a recent project, I’ve started thinking about how a writer decides on a subject to pursue, a story to explore, a character to investigate, a plot to develop.
What draws us to the stories that we ultimately find ourselves telling?
Some might say it’s easy. You just ask a librarian what readers are requesting. Or you study trends. Or you spot a fad.
But I think it’s much harder than that to find the subject of your heart’s desire.
It involves understanding on a deeper level, I think, the advice that every writer has often heard at times of uncertainty: Write what you know.
I don’t think it's an exhortation to write only what you know. I think it's an attempt to urge you to write what you wish you knew... what you hope to learn ... what you desperately need to know.
But that only brings us back to my original question: how do you decide on a subject? How do you know, in other words, what you need to know?
I don’t think it’s a question that you can answer quickly. Often I’ve found a subject too quickly, only to lose interest in it before long... and then shake my head wondering why I found it so appealing in the first place.
No, I think it may take days or weeks to probe your heart, to listen to the stillness as you tread water, to wait for an answer to rise to the surface and reveal itself to you.
Learning what you need to know requires that you do something that I call heartswimming–swimming while listening to your heart and discovering the subjects and stories that mean the most to you.
Not what your editor or agent suggest that you write because it may make you tons of money. Not what you think you should write because it’s what you’ve written before or it’s what others think you should be writing. Not what you think might be easier to write or shorter or more popular.
No, heartswimming means shutting out the external world and listening to your heart as you swim through the water.
It means listening to how you respond on a deep level to subjects that you find as you swim and being able to recognize which subjects stick to your skin and which slip away.
Most of all, it means beginning to understand which subjects get under your skin and keep you awake at night and cause your blood to race when you wake up because you can’t wait to get to your desk to begin writing to see where your pen will lead you.
Heartswimming isn’t about outlines or free-writing or list-making, although these tools are sometimes helpful when you need to listen more closely to what you’re feeling and thinking.
No, heartswimming is about listening... and letting go of preconceptions and stereotypes of who you are and what you think your writing should be... really listening to who you are, to what you’re curious about, to what you want to know.
It means being open to the world, being receptive, being able to let your curiosity lead you into unexpected places and unexpected subjects.
It means being able to play and laugh and think.
And, ultimately, it means letting yourself sink beneath the surface and following your heart to the subject of your heart’s desire.
For more on heartswimming–or writing what you know–visit:
http://www.writing-world.com/fiction/know.shtml
http://cba-ramblings.blogspot.com/2010/02/write-what-you-know.html
http://justinelarbalestier.com/blog/2008/12/29/write-what-you-know-not/
http://killzoneauthors.blogspot.com/2009/05/write-what-you-know.html
http://performancing.com/first_rule_of_writing__write_what_you_know_or_want_to_know/
http://johnbakersblog.co.uk/write-what-you-know/
What draws us to the stories that we ultimately find ourselves telling?
Some might say it’s easy. You just ask a librarian what readers are requesting. Or you study trends. Or you spot a fad.
But I think it’s much harder than that to find the subject of your heart’s desire.
It involves understanding on a deeper level, I think, the advice that every writer has often heard at times of uncertainty: Write what you know.
I don’t think it's an exhortation to write only what you know. I think it's an attempt to urge you to write what you wish you knew... what you hope to learn ... what you desperately need to know.
But that only brings us back to my original question: how do you decide on a subject? How do you know, in other words, what you need to know?
I don’t think it’s a question that you can answer quickly. Often I’ve found a subject too quickly, only to lose interest in it before long... and then shake my head wondering why I found it so appealing in the first place.
No, I think it may take days or weeks to probe your heart, to listen to the stillness as you tread water, to wait for an answer to rise to the surface and reveal itself to you.
Learning what you need to know requires that you do something that I call heartswimming–swimming while listening to your heart and discovering the subjects and stories that mean the most to you.
Not what your editor or agent suggest that you write because it may make you tons of money. Not what you think you should write because it’s what you’ve written before or it’s what others think you should be writing. Not what you think might be easier to write or shorter or more popular.
No, heartswimming means shutting out the external world and listening to your heart as you swim through the water.
It means listening to how you respond on a deep level to subjects that you find as you swim and being able to recognize which subjects stick to your skin and which slip away.
Most of all, it means beginning to understand which subjects get under your skin and keep you awake at night and cause your blood to race when you wake up because you can’t wait to get to your desk to begin writing to see where your pen will lead you.
Heartswimming isn’t about outlines or free-writing or list-making, although these tools are sometimes helpful when you need to listen more closely to what you’re feeling and thinking.
No, heartswimming is about listening... and letting go of preconceptions and stereotypes of who you are and what you think your writing should be... really listening to who you are, to what you’re curious about, to what you want to know.
It means being open to the world, being receptive, being able to let your curiosity lead you into unexpected places and unexpected subjects.
It means being able to play and laugh and think.
And, ultimately, it means letting yourself sink beneath the surface and following your heart to the subject of your heart’s desire.
For more on heartswimming–or writing what you know–visit:
http://www.writing-world.com/fiction/know.shtml
http://cba-ramblings.blogspot.com/2010/02/write-what-you-know.html
http://justinelarbalestier.com/blog/2008/12/29/write-what-you-know-not/
http://killzoneauthors.blogspot.com/2009/05/write-what-you-know.html
http://performancing.com/first_rule_of_writing__write_what_you_know_or_want_to_know/
http://johnbakersblog.co.uk/write-what-you-know/
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