Showing posts with label family history. Show all posts
Showing posts with label family history. Show all posts

Monday, July 03, 2023

A love of books

How Aunt Sylvia loved books! 

They filled her house, and on

my visits I'd find them scattered 

on every available surface. 

Bookshelves, tables, nightstands,

radiator covers. Stacks of books

she'd already read. Stacks waiting

to be read. Romances. Historical fiction.

Literary novels. Biographies. 

You could go into any room 

and find books there. Paperbacks, 

hardcovers. Magazines, too. 

She gave me copies of the classics

for my birthdays. Huck Finn.

Tom Sawyer. Winnie the Pooh.

Walden. Hoping, I guess, I'd become

a reader, too. A book lover. A fan

of stories. And poems. (She gave me

a copy of Robert Louis Stevenson's

A Child's Garden of Verses.) 

Years later, I still have those books 

on my shelves, and looking at them

I realize it wasn't just the books 

she gave me but her love of

books that is the gift that endures, 

that brings me back to books

again ...  and again.

Sunday, July 08, 2007

Swimming With My Brother

When we were young boys, my brother and I swam in the surf off Montauk Point.

We spent hours leaning into the strong waves, ducking under as the swirling foam crashed onto the beach, and pulling ourselves back to our feet, only to plunge into the icy water again and swim a few yards before another wave slammed into us and we'd stagger back to shore.

Those were days when it felt like we were swimming inside one of Childe Hassam's sparkling seascapes. The sky was the brilliant blue of childhood, the sea endless and rich with possibilities, and the shore a starting point on which to launch our dreams.

Day after day on those family vacations we sent our dreams sailing out past the lighthouse at Montauk Point, all the way across the wide Atlantic to Spain... and further... never knowing which dreams might reach the other shore and come true and which might evaporate like the mist rising off the sea on a foggy morning.

We swam side-by-side year after year, and we continued swimming together long after our childhood ended and we entered adulthood and our family stopped making our annual summer drive east from northern New Jersey to the end of Long Island.

By then Montauk had changed from a sleepy fishing village to a glitzy town and wharf where tourists could dine in luxury overlooking the harbor or wander through expensive shops, and we had changed, too, each of us setting off on our own journeys.

Yet we continued to swim together... in a sea of words... as we made our way into publishing, working at different houses over the years, and then into journalism, and, finally, into the sea of our own writing.

While I fell in love with stories and books for children, my brother discovered haiku poetry, and some of his poems now appear in a hand-crafted book of his own making called Peace and War: A Collection of Haiku from Israel by Rick Black.

It was in Israel, where my brother worked as a journalist, that he found himself first confronted with these startling images of peace and war. He couldn't write about the ironic juxtaposition of these images in his journalistic reports. But haiku enabled him to capture that sense of irony in surprising ways.

Here are a few samples:
a bumper sticker
by the war memorial
"a time to love..."
just an olive tree
and a peeling mural are left
yitzhak rabin square
off to lebanon
air force cadet absorbed in
Love's Labor's Lost
just buried soldier--
too soon for his mother to
notice the crocus
last clouds--
if only the violence would
drift away, too
In this book are my brother's hopes and dreams for peace in a land filled with images of war. The haiku are riveting, crystal-like in their sharpness, emotionally arresting in their clarity of overlapping images of war and peace in a land so well-known for its messages of hope.

In the book's Afterward, poet (and friend) Kwame Dawes writes that "to see this world, to truly engage this world, the poet has to maintain a dual vision."

Somehow the poems reveal the "contradiction in a land that is at once beautiful and startlingly ugly," Dawes notes, "a world that achieves peacefulness even while war is constantly present."

"There is a plea for hope in the final verse...," Dawes concludes. "In many ways, it will become for you, as it has for me, a deeply felt prayer."

It's been years since I swam with my brother off Montauk Point. Yet holding his book in my hands, I can taste the sea again and see his words rising off the page like early morning mist and hear in his voice the call of gulls and the sound of the foghorn.

His poems contain the feelings that surge within one's heart on touching the sea or, really, any part of the world's mystery. And reading through these poems, it feels as if we're swimming once more off the coast of our childhood, each poem a reminder of the dreams and prayers that we shared years ago... and still share today.

If you'd like to learn more about Peace and War or Rick Black's work as a book artist, visit his website: http://www.turtlelightpress.com/

And if you'd like to make your own book, here are a few book-artists who share their thoughts:

http://www.fiveandahalf.net/blog/2006/07/07/a-book-for-your-thoughts/
http://ashevillebookgirl.blogspot.com/2007/04/book-pix.html
http://www.peculiarplanet.com/books/index.htm
http://cailun.info/

And here are a few places where you can attend classes and discover the pleasure of book-making:

The New York's Center for Book Arts at http://www.centerforbookarts.org/newsite/
The San Francisco Center for the Book at http://www.sfcb.org/
BookWorks Studio, Asheville, NC at http://www.ashevillebookworks.com/

If you'd like to try writing haiku, you might check out these resources:
http://www.worldwidefreelance.com/articles/haiku.htm
http://spice.stanford.edu/digests/Japan/haiku.html
http://haikuguy.com/issa/abouthaiku.html
http://www.gigglepoetry.com/poetryclass/Haiku.html

Sunday, February 25, 2007

Waves of Memory

The souls of the people we love rush toward us like waves during their life-time.

They touch our lives with magic for a brief moment, embracing us with their love, then retreat into an ocean of time.

In their wake, they leave memories.

And the memories, like waves, return again and again to wash over us, reminding us of the days that we spent together.

My aunt--Sylvia B. Kessler--would have been 99 years old this week (on Tuesday, the 27th of February). Her funeral was held almost two months ago, a small ceremony attended by a handful of close relatives only a few miles from the King Street Elementary School where she taught for more than thirty years.

Each year she welcomed new students to her first- and second-grade classroom. And by the time she retired, she'd spent years helping hundreds of children take joy in learning and pride in their accomplishments. She taught so many children that, at times, it seemed as if everyone in Port Chester, NY, the town where she grew up and lived her life, had passed through her classroom.

On errands into town, she always made it a point to stop and chat with former students. The woman selling stamps at the post office. The checkout clerk at the supermarket. The mechanic at the local garage. The judge eating a sandwich at the coffee shop. The waitress serving lunch. Even the owner of the restaurant.

She touched so many lives in her classroom, and her students never forgot her. They may have moved on to the next grade and into the world of adulthood, but they remained in touch with her year after year, sending birth announcements, wedding notices, New Year's and Valentine's Day greetings, photos of themselves as parents with their own children.

Aware of the memories that she had helped create, and treasuring the memories that each card stirred in her, she saved every note, displaying them on the bookshelves in her living room, and on her desk, and even on the nightstand in her bedroom. And she took great pleasure in regaling visitors with stories of her students as if they were still in her class and she was still their teacher.

Never having had children of her own, she treated each of her students with the same kind of tenderness and love that a mother might bestow on her own children. And she shared with them--and with my brother and me, her only nephews--her passion for words and stories and the magic of the imagination.

Her passion for words and stories was evident the moment that you stepped into her house. Newspapers, magazines, and books were strewn everywhere. Shelves in her bedroom, and the desk in her guest room, were crammed with paperback novels. The ledge over the bathroom radiator was piled with old magazines. Chairs around the table where she ate her meals were piled with newspapers and books, too. She was always reading.

Deep in my memory--buried so far away that I can't really remember if it's true--is an image of Aunt Sylvia reading to me as a child as I sit next to her on a bed or sofa. A picture book is splayed open in her lap, and she's letting me turn the pages, and her voice is casting a spell, luring me into the world of imagination.

Somehow--through some mysterious alchemy of words and sounds--she transmitted her love of reading and stories--and writing--to those she loved. I still remember feeling that love of words and stories so strongly in her presence... not only as I learned to read... but, later, as I made my first stumbling attempts at writing a novel on her back porch one summer before graduating from high school.

Even now, I can recall the remarkable feeling of words flooding my throat for the first time that summer, vowels and consonants pushing their way through my fingertips onto the typewriter's keys... and appearing on the blank sheet of paper out of nowhere... accompanied by a kind of music that I can still hear today.

In a way that I didn't understand then, Aunt Sylvia served as one of my first writing teachers. Like later teachers, she nurtured my love of stories, and she taught me how to play with words in the same way that she might have taught a child to play with blocks or toys, or sand on a beach, just to see what happens.

It is one of life's bizarre ironies that this woman, who treasured memories of family and students above all else, ended her life without memories. After a decade or more, she lost her memory to Alzheimer's. Yet, amazingly, Alzheimer's couldn't steal her essential nature or her love of words and stories.

Whenever I visited her at the nursing home, I'd inevitably find her with a book or newspaper in her hands. She no longer knew who I was. She had no memory of our life together. But she knew in the deepest part of her what she wanted: to hold onto words and stories, even if she could no longer make sense of the letters in front of her.

Watching her memories vanish over the years, I learned a valuable lesson about memory. How essential it is for giving our life meaning. With memory, we can probe our lives for emotional depth; we can imbue our stories with emotional richness. Without it, life becomes a blank canvas, our lives, lacking a past, reduced to a one-dimensional surface.

A little less than two months ago, I held my memories of Aunt Sylvia in my heart as I stood at the foot of her grave and watched the workmen lower her casket into the earth.

A cold rain fell, and the wind blew in gusts, and, gazing up at the dark sky, I remembered the woman who had helped teach me (and so many others) to take joy in words and stories... and memories.

At that moment, as the first shovelfuls of earth began to fall, I imagined her setting sail across a sea of time and stepping ashore in a distant land where children would welcome her just as they used to greet her each morning in her classroom at the King Street School.

In that distant land, I pictured Aunt Sylvia telling stories again, and the children gathered around her, sitting cross-legged on the floor, listening to her voice as it cast its spell, touched by the magic of her words.

Memory and magic and stories... these were my aunt's legacy to me.

Long ago, without realizing how or why, I absorbed these things from her... and found my way onto the writer's path. And that path--stormy and unsettled as it is at times--has led to a sea of words and stories that I'd never have discovered without her.

Who are the people who have helped you find your way into words, whose lives have led you to your own writing path, your own sea of stories?

Take a moment this morning to let the waves of memory carry you back to the people who, thanks to memory, remain part of your life.

What did they share with you? What makes their memory so important?

When the time is right, put your pen down and pause to remember, then give thanks for the blessings--the memories--that you received from them.

Sunday, February 11, 2007

Swimming Into History

In her Newbery Honor picture book, Show Way, Jacqueline Woodson draws a long, bright thread through history that radiates her deep and abiding love for family and freedom.

Woodson begins her story by remembering the life of one of her ancestors, a nameless slave in Virginia, and ends telling family stories to her own daughter, Toshi, born free more than a century later and living with Woodson in their Brooklyn home.

In prose that reads as elegantly as poetry, Woodson swims into history, relating two stories simultaneously--the story of her own family and the history of her people and their struggle for freedom.

Her rich, storyteller's voice creates a strong sense of intimacy so that a reader turning the pages of this book might feel as if he or she were eavesdropping on Woodson as she tells her daughter stories each morning.

In this retelling of a family's history, the stories focus on faith and love rather than on the harsh reality of slavery. You'll find stories about slaves who couldn't read but knew how to interpret pictures. They mastered skills with needle and thread to create quilted patterns of flying geese, twisting roads, and the north star pointing the way to freedom.

For many of Woodson's ancestors, freedom was a distant dream. Yet this story shows how their skills and faith in themselves and in the future kept their dream of freedom alive over centuries.

That dream, like a long and sturdy thread, was passed through the hands of the women in Woodson's family... all the way to Woodson herself... and, finally, to Woodson's daughter, in whose heart that dream finds fulfillment.

As each successive generation of children enters this world, Woodson writes a variation of the refrain:
Loved that baby up so.
Yes, she loved that baby up.
These words evoke in the reader a sense of a family's love for each child, a love that transcends time as each generation lifts the next generation up...and up... and up...to a higher spiritual (and social) level than the one before.

By the time Woodson's daughter, Toshi, enters the world, all the dreamers who came before her offer her their shoulders to stand on.

It's their love and belief in the future--in the idea of a future--that kept the dream alive for her so that one day she might live in a world that they could only dream of.

In Show Way, Woodson shows us how to swim into the past using the currents created by swimmers who were swimming long before we stepped into the water.

Try to feel the currents of your own family's history as you enter the water today.

Can you feel the strength and courage of your ancestors? And can the memory of their hopes and dreams help you swim further than you ever dreamed before?

For more information on Woodson's work, visit her website: http://www.jacquelinewoodson.com/

For interviews with Woodson, check out:
http://209.85.165.104/search?q=cache:ZflNU3ZsJAcJ:www.teachingbooks.net/content/Woodson_qu.pdf+show+way+woodson+newbery+speech&hl=en&ct=clnk&cd=4&gl=us&client=firefox-a
http://www.schoollibraryjournal.com/article/CA6338688.html
http://usinfo.state.gov/usa/blackhis/bkl05-interview.htm

For a better understanding of African-Americans and quilting, see:
http://www.findarticles.com/p/articles/mi_m2838/is_n1_v32/ai_20610473/pg_1
http://links.jstor.org/sici?sici=0022-2992(199524)80%3A1%3C30%3AKAQAEO%3E2.0.CO%3B2-5
http://www.yale.edu/ynhti/curriculum/units/2001/2/01.02.10.x.html
http://www.amazon.com/gp/product/0786413743?ie=UTF8&tag=bookbuds-20&link_code=as3&camp=211189&creative=373489&creativeASIN=0786413743

And for information about the controversial "myth" of quilts and the Underground Railroad, see:
http://www.quilthistory.com/ugrrquilts.htm
http://farmschoolathome.blogspot.com/2007/02/history-and-story-when-folklore-and.html
http://ugrrquilt.hartcottagequilts.com/

Saturday, June 03, 2006

Crossing a Sea of Silence

A thin, painfully shy, twelve year-old boy huddles for warmth in the salt-sprayed prow of a steamship making its way across the Atlantic.

His parents have already sailed for America, leaving him in Russia to fend for himself. Months slowly turn into years, and, at last, they send enough money so that he can join them.

He boards the ship, barely tall enough to catch a glimpse of the sea over the ship's gunnels, and sets off for America, searching for signs of land beyond the dark-crested waves.

That boy was my father's father... my grandfather.

He made the voyage successfully and joined his parents in a small town outside of Boston, where they made their new home.

But he never spoke of the ocean crossing--its hardships or the fears that it may have inspired in him--to me or anyone else in the family.

The crossing itself--what it was like to sail across the vast Atlantic--was lost in silence.

And the years that he spent in Russia, waiting for his parents to send the money for him to join them--all lost.

Even the years after his arrival here--when he took a pack on his back and roamed the New England countryside peddling his wares--were lost (except for a handful of stories that my uncle and aunt dragged out of him over the years and passed on to me).

My grandfather rarely, if ever, spoke of the past.

If questioned about it, he would raise a firm hand and mutter bitterly in Yiddish, "Don't ask!"

On Sunday afternoons, I joined my father for the drive up the Major Deagan Expressway--past the tantalizing aromas of the Stella Dorro factory, the green canopy of spring unfolding over Van Cortlandt Park, and the sleek horses trotting around Yonkers Raceway--to my grandparents' apartment in the Bronx.

During our visits, my grandfather's silence was almost painful, filling the apartment with echoes of his life and all that he must have endured.

He would recline in a large, soft-cushioned chair in the corner of the living room and smoke his cigar down to a stub the size of a thimble while watching the Yankees on a blurry, black-and-white TV with silver-foil rabbit ears for antennae.

Or he would play a game of checkers on a worn checkerboard with my brother.

Or he might sit in the kitchen sipping tea from a glass and gaze out the kitchen window at my grandmother's geraniums blossoming in pinks and reds on the rusting fire-escape and dream of a world that I would never know.

My uncle claimed the Atlantic crossing had robbed him of speech.

My aunt suggested his silence was the result of the pain of being left behind in Russia, uncertain if he would ever see his parents again.

Whatever the reason for his silence, my grandfather stands in my memory as a heroic figure for having braved the crossing over such a vast and unknown ocean.

But he lurks there, too, as a tragic figure, nearly broken by the experience of immigration, succumbing in the end to silence.

On some mornings, as I sit at my desk, I dream of him and wonder if I could have made the crossing.

It strikes me as ironic that writing--this daily ritual of embarking into the unknown--requires that I board a ship, too... the ship of my imagination... and set sail.

Each voyage--whether in the realm of the imagination or the real world-- is filled with risk and fraught with danger, demanding a kind of faith and courage... in ourselves, and in our abilities.

Somehow, knowing that my grandfather made the crossing, helps me hold steady and true to my course, even when I can't see the path.

What's remarkable is that, just like my grandfather, I struggle to cross the sea--except today it's a sea of silence--always hoping that I might reach the firm footing of an unknown shore.


* * *

With this post, Wordswimmer is stepping out of the water for a few weeks to dry off... and will return in mid-June after a brief rest in the sand. Upcoming posts later this summer will include interviews with Norma Fox Mazer, Cynthia Leitich Smith, and Barbara O'Connor. Until later this month, keep swimming!